Monday, April 28, 2014

The Business of Fashion

The following, from BOF, was interesting, partially for referencing Lululemon, a brand that makes great marketing sense:

Op-Ed | The End of the $1 Billion Fashion Brand


There will never be another start-up fashion brand that will reach $1 billion in revenue. In fact, it is very possible that there will not be a fashion brand that was started in the past five years that will generate that amount of revenue. All of the money invested in fashion start-ups to maintain their early growth rates will not drive the returns venture capitalists had hoped for when they invested huge sums of money at sky-high valuations. Much of this capital will be lost, leaving in its wake a general malaise and depression that will affect the fashion start-up ecosystem for years to come. But, ironically, this impending reality will also mark the beginning of the most incredible time in the history of fashion for entrepreneurs to build great brands.
What Makes a Brand?
A brand is a connection between a business and its customer. My favourite definition of a brand is the first image that pops into someone’s mind when their eyes are closed and they hear your company’s name. In reality, your brand is your business, because your business is your relationship with your customer and the sale of your product is merely confirmation of that relationship.
Over the past few decades, as the global market for fashion has reached hundreds of billions of dollars in size, specialty brands and retailers that are more attuned to specific consumer interests, values and aspirations have flourished in each of the industry’s many segments, forging increasingly strong bonds with their customers.
Notwithstanding the transparent-yoga-pants tempest in a teapot and the company’s self-inflicted investor and customer relations fiascos, Vancouver-based Lululemon remains one of the best fashion and apparel brands built in recent years. Since its founding in 1998, it has succeeded through great specificity in market focus, deeply connecting and becoming intertwined with the lifestyles and activities of its customers. Wearing Lululemon speaks volumes about who you are as a woman: active, engaged, physical, spiritual and connected to your environment; the personification of the Yoga practice. And by creating this connection with its customers, Lululemon has grown into a $1.6 billion company that has created $9 billion in shareholder value.
But five years after its founding, Lululemon was only a $5 million annual revenue business. What a failure in comparison to the famous Internet brands that you read about every day! But in those five years, they refined their brand and their message to customers; they learned and perfected the brand experience, they hired people who grew as the business grew, forming the basis of an organisational infrastructure; they learned how to make stuff well and did all the other things that every successful company needs to master if it hopes to become great. In its sixth year, Lululemon tripled in size and never looked back. As it spread across North America, customers first heard about it, then yearned for it. And if you were smart enough to recognise that this was a budding juggernaut and wanted to compete head-to-head, you needed a lot of capital and physical stores — and you had to face a five-year learning curve.
The Internet Changes Everything
With rise of the Internet, businesses can reach customers without the constraints of geography or capital. Given this, one can build a business that is really specific to a very tightly defined group of target customers and not have to worry about there being enough of them in any given geography.
All new brands will be born on the Internet, as it provides the ubiquitous and omnipresent platform for a deeper and more intense relationship with customers. The Internet has also provided new brands with an incredible opportunity to launch their business at a fraction of the cost and in a fraction of the time it took before.  What’s more, the Internet creates incredible market transparency. As an investor, if I want to get a very rough idea of your sales traction and market interest, I only need to look at your social media following and engagement metrics.  I can also use Google to see how much you show up in searches. It’s not exact, but it gives me (and everyone who is thinking about starting a brand) a pretty good idea of where your company is in terms of its growth.
I would bet that Lululemon, if it were founded today, would have started on the Internet. The trajectory of this new Lululemon — Lululemon Prime, let’s call it — might look like this: they make a beautiful product that their customers adore and then scrape together a store on Shopify to sell it (disclosure: Shopify is a FirstMark portfolio company). In their adoration, customers scream at the top of their lungs about this incredible brand on social media. Everyone runs online to Lululemon Prime and buys its products. The company grows rapidly, trying to keep the wheels on the car as it screams down the highway. The founder is tied up speaking to the press about how brilliant they are and how they have reinvented fashion.
Meanwhile, with huge amounts of hype and exposure surrounding this great new company, other entrepreneurs see the market opportunities they are missing: the Lululemon for serious Yogis, the Lululemon for women who are a little larger, the Lululemon for women who are a little smaller, the Lululemon for women who want to do Yoga in luxury clothing, the Lululemon for women who practice Hot Yoga, the Lululemon for women who want to only look like they do Yoga, and so on — each brand addressing a micro-segment of the Lululemon Prime target market and each one connecting with customers better and more specifically than Lululemon Prime, because these brands are aiming to mean something more to fewer people. As Lululemon Prime adds products and tries to appeal to a broader audience, they diluted their message and begin to mean less to their original core audience. The smaller, more focused competitors take the edges of their core market by meaning something much more specific and true to their customers. If you don’t think that would happen, a few quick searches on Google turns up more than 100 very specialised competitors in the Yoga apparel market.
Now, the original Lululemon had five years to figure things out. Lululemon Prime would have less than a year. By demonstrating early traction and a very high growth rate, companies have been able to raise a lot of money at point where their revenue size and growth rate are out of sync with their level of organisational competence and capabilities. When you don’t have any money, you do things you need to do. You build muscle and strength as you build your team; you learn your customer better and you master the processes that you need to scale. When you have too much money you do things you can do. You hire people who, in turn, hire more people. And all these people have bought into the hype of being part of a mega-valued, social media darling.
The science of scaling a business is built upon the replication and amplification of processes that matter. When you have lots of people doing lots of things that may or may not matter, how do you scale successfully?
Think of a company as a boat with rowers. Putting too many rowers in a given boat sinks it; putting the right rowers in the right seats with the right cadence wins a gold medal. Lululemon, had five years to figure it out before anyone really knew they existed. Lululemon Prime would have months.
The Impact on Investment Returns
The biggest mistake investors and entrepreneurs make repeatedly is they infer long-term growth from short-term growth. On the Internet you are connected to everyone so your ability to find a customer is unprecedentedly easy — at first. As with Lululemon Prime, a brand is discovered, customers go crazy on social media and the company sells a lot of product. The revenue ramp looks amazing, so investors flood the company with money expecting it to continue to grow at this rate. But the company grew so rapidly at first, because it was so specific and was able to reach the customers with whom their message resonated really easily. As the company reaches a certain size, competition and a diminishing remaining pool of potential customers make the acquisition of each incremental customer increasingly difficult and expensive. Revenue flattens. Investors who thought that unprecedented growth would go on forever are, instead, left with a company that, while meaningful in size, falls far short of the expectations that drove their frenzied investments.
As both an entrepreneur and investor in this market, I have the opportunity to meet with dozens of people each week who tell me that they will be building the next billion dollar company behind the brand that they have created. I’m amazed at the indignation I get when I ask: “What if you have a brand that is only $100 million in size?” The typical response is something like, “Well, I’ll show you” (and I hope they do). But my amazement stems from the fact that they believe $100 million is a failure or a consolation prize.
But who would not want a $100 million revenue company with 20 percent EBITDA (earnings before interest, taxes and deprecation and amortisation) that is making something beautiful and wonderful for a base of customers who would kill for them? At a typical 10x multiple of EBITDA, the company would be worth $200 million. Is this a great return? Sure, if you raised a relatively small amount of money at reasonable valuations. But not if you raised a lot of money at a high price.
For instance, let’s say you raised $200 million at a valuation of $1 billion post-money (i.e. you sold 20 percent of the company for $200 million). This sounds great because you only gave up 20 percent for a large amount of capital. Except for one thing. The investors get their money first, because in most private company transactions, investors have preferred stock. So, in the end, depending on how much you raised, there may not be much, if any, left for you, the entrepreneur, despite having built a very successful business — and that’s in the case of a great outcome.
Many start-up brands who have enjoyed early success have believed that they are worth more than social media platforms that have achieved valuations of billions of dollars with little or no revenue. What they are missing is that these social media companies are platforms for the expression of millions of opinions, while a brand is the expression of one specific opinion — and the brands that will be born from now on will stand for very specific opinions. Indeed, they must mean more to fewer people than ever before if they hope to achieve success.
The Path Forward
There might be exceptions to my prediction that there will be no more new $1 billion fashion brands. I think wholesale-driven brands started by large manufacturing-oriented companies with wide distribution will always be able to create mass-oriented, license-driven product, though whether these kinds of brands will last remains to be seen. Another exception could be a case where there are finite or proprietary manufacturing or technology resources that a company has secured. But these types of companies are few and far between and most entrepreneurs will not find themselves in a position to execute on these types of strategies.
I truly believe that there has never been a better time for an entrepreneur to build his or her business, because so many barriers to entry have been lowered or removed. Rather than fight the new laws of the universe that have come into place because of advancements in technology, embrace these changes and build a brand that truly connects to a specific group of customers across geographies in a highly intimate and personal way.
Will this type of business be a $50 million revenue company or a $500 million revenue company? Nobody knows until you build it. But with the right capital structure, any company that can build a brand that delights its customers can be an economic win for all involved.

Dressing your age


Thought I'd be writing about older ladies, didn't you? Actually, this post is about young starlets and how the Hollywood publicity machine pushes us to accept teens as twenty-somethings, twenty-somethings as women in their thirties, and forgets about most women in their forties altogether.

Hate to sound like some crazy, crusty conservative old lady, but these girls make me frightened and double my urge to hide the girl-child away until she's 24.

Check this out:
Hailee Steinfeld is 17. This dress is cute and almost perfectly age appropriate, yet somehow she manages to look way older (Keira Knightley, just for reference's sake is 29), maybe because of the super high heels she's wearing, or her smug experssion:


Or so: this is Kiernan Shipka, who has been vocal about her interest in fashion. The dress is lovely, and completely age appropriate. The shoes are nicely matched, but again, why would a 14 year old wear such a grown up shoe???

Finally, Chloe Moretz, age 17. This kid wants IT so bad, she reeks of want.  I honestly have a hard time looking at her.

The Ultimate: Black Trousers


There really is almost nothing (correction, nothing!) in my closet that lived as long, saw as much action, and still gets trotted out despite its age - as my dress black trousers. No, they are no longer in good shape, the material has acquired a bit of an over-used sheen. No, the cut is not longer as fashionable as it was when I purchased them for my first big time conference talk back in grad school a decade and eons ago. Yes, they need to be replaced.  But they still fit and in a pinch they do.

My loving tribute to my black slacks (Theory, 2003 vintage) aside, it is clear that despite changing fashions some things remain classic. And those things are worth splurging for. If you calculate cost (say $250) and prorate it per-wear (at least 30 per year, every year), those Theory pants came out to be the cheapest thing I have ever bought, the best bargain.

What should we look for in black pants:

- fit: straight and slim.
  The look of the moment is skinny, but I think that every person needs a pair of dress pants that leave    something for the imagination. A good compromise between what is trendy and what is classic is a slim,  straight cut.

- design: simple
  Again, this is a classic and classy item. Don't muck it up with too many embellishments.

- Material: with a hint of stretch.
  A flowy crepe loks fantastic and says 'class' but if you want these pants do professional heavy lifting, if you   want them to go with you in cabs, trains, and airplanes you want some elstane in the mix. Elastane is your  
  friend.

- length: just around the top of your pump.
  The length of your pants is the most crucial aspect of their fit, after the ass. First you need to make sure
  your ass looks perky and not too flat. Then you deal with length. Since these are dress pants they will be
  worn with some heel. While an ankle length looks cute on some, a classic and classy fit lands so that you
  see the heel but cover the top of the shoe.

Here are some options, in our usual price point scale, although I am beginning it a bit higher this time:
DREAM:
1) Givenchi:
2) The Row (these are like higher end Theory pants by cut and composition):

4) The fantastically named Brunello Cucinelli:




3) D&G - who knew they could do classy?


WISH: 
1)Theory, the indisputable go-to brand for good office wear:


2) Tahari, likewise a favorite with the working ladies:


3) Alice & Olivia - I have a fondness for the wide waist band:


WANT:
1) Banana Republic:

2) Gap:

Memory Days


Living far from home for a long time the list of things you miss unspools like a bobbin let loose. The biggest items in life alternate in it with small and trivial ones in a jumbled mess.  Missing becomes part of your daily routine, like a little ripped cuticle on your finger that throbbs at a low but constant pain level. It is just there.

You miss your parents, your brother, your friends, the beach in Tel Aviv at 6 pm, warmth, the wonder of poppies appearing in the new grass in the spring, cottage cheese. What is unique to Israelis is that you also miss rememberance days - you miss memory itself.  You miss stopping with the sound of the zfira (the alarm that commemorates Holocaust Day and the Day of Remembrance), and just standing there no matter what it is you were doing before. You miss the sombre-Hebrew-only songs on the radio.  I suppose that what you really miss is belonging - being a part of a mass of people.. It is odd, but you do.  I never feel as alone here as on these days, unmoored.


My favorite poet in Hebrew, Dan Pagis, wrote this, the simplest and deadliest of all Holocaust poems:

Written in Pencil in the Sealed Freightcar / Dan Pagis
Here in this carload
I am Eve
With my son Abel
If you see my older boy
Cain son of Adam
Tell him that I...


And this song of Yehuda Poliker's:


Sunday, April 27, 2014

Dress Your Life - Respectable - Nay, Great! - Hoodie


Its cold here in the northeast. Today was drizzly and cold, requiring multiple layers to keep yourself from chilling your core.  I found myself reverting to a disgustingly old, frayed, dirty black hoodie under my coat. It certainly provided the warmth, but it was style-kryptonite, the very essence of anti-style. I will confess to ye all that I am wearing it now as I type. And I solemnly promise I will never ever wear it in public again.

The point is that hoodies - whether with hoods or without - are probably one of the most abused items in your arsenal. Which is precisely why they concern our DRESS YOUR LIFE manifesto.

A day-in day-out staple of your closet it shoudl be stylish, flattering, and a little unusual. You should feel as good in it as in your highest, chicest heels. It should provide not just physical warmth but also the warmth of knowing you look good.

These are also the reasons why you should not feel guilty investing in a great hoodie. Your investment shall be returned in full.

Here is what I require in a hoodie:
- no, it does not have to have a hood, although it is a bonus
- needs to have at least one interesting design detail that would set it apart
- needs to be closeable. As in fastened if desired.

Color? I always go for either black/gray/white in a staple item.

Here's a rundown of current retail offerings, in our usual price-point categorization:

DREAM:

1) the utlimately perfect hoodie, from Helmut Lang (NK, I LOOOVE my black version! which is why it is saved for special occasions...)



WISH:
1) RevolveClothing - fantastic zipper placement:
2) A simple hoddie, refined, from Lululemon:

3) polka dots at Barneys!: 

3) Sleek, at Nordstrom:

4) Stripes at Splendid:

WANT:
1) This, from Anthropologie, comes not just in khaki but in white as well (which is what I would get!):


2) Moto at Nordstrom:


Friday, April 25, 2014

The most expensive and tasteful airport lounge, like, ever?


This is designer's Gilles Mendel's Manhattan living room:


Call me heretical but I find this dull and corporate. I hate the wall-mounted sitting on the left, dislike the occasional chairs on right. Nothing in this space invites, and even the flowers look fake. It is tasteful, and it looks and I'm sure feels expensive (the 'rug' made from dark-gray calfskin) and it leaves me utterly cold. 
Not even the tiniest twinge of envy. 

Changing Faces, Changing Lives


Do you, ladies, remember "Die Another Day"? It's that Bond movie, pre-Daniel Craig, when a North Korean general's son, who is involved in blood diamond trade, goes to Latin America, gets plastic surgery and emerges as a white super villian, portrayed by the son of none other but the Dowager Countess of Grantham. 

Like so:

Well, the reason I thought of it all was a story I skimmed in the Daily Mail (Yes, I skim the Daily Mail. It is hilariously bad.) about South Korean plastic surgery, and how unbelievably good (?) they have gotten. To the point that the before and after shots no longer look anything alike. At all. No, they don't emerge looking like white super villains, but still, the transformations are incredible. 

So is this bad or good plastic surgery? Yes, the after shots show 'pretty' faces, but utterly generic and almost anime like. On the other hand, who born with unconventional features did not want the perfect little nose, or the perfectly high cheekbones??? I certainly do, even now. So should we condemn such radical procedures as something that robs their subjects of their innate individuality or praise the skill involved in making ugly ducklins gorgeous swans? Sorry for that tires story book metaphor, but I truly don't know.. 

Here, see for yourselves:

Plastic surgery in South Korea is now so good that people travelling home afterwards need CERTIFICATES to prove who they are


  • Some hospitals in South Korea are offering 'plastic surgery certificates' to help overseas patients through passport control on their way home
  • These patients are often seen to have bigger eyes and higher noses
  • They often also have slimmer chins than on their passport photos
  • South Korea is now the plastic surgery capital of the world, figures show  


When people go under the knife for plastic surgery they hope to come out of the operation looking a bit different and a lot better.
They usually do not, however, anticipate looking so different that they are unrecognisable.
However, some of South Korea’s plastic surgeons are so talented that they are leaving their patients with an unexpected problem, it has been claimed. 
Plastic surgery in South Korea has become so successful that some overseas patients are struggling to get through passport control on their way home after the operations
Plastic surgery in South Korea has become so successful that some overseas patients are struggling to get through passport control on their way home after the operations

Those who have flown in from abroad to have the operations are, in some cases, so transformed that they are struggling to get through passport control on the way home, Kotaku reports.
According to Korean sites Onboa and Munhwa, some hospitals have resorted to handing out ‘plastic surgery certificates’ to patients to enable them to get home.
These certificates are said to include the patient’s passport number, the name of the hospital they were treated at and the length of their visit to South Korea.

    The theory goes that these certificates can smooth their path through passport control.
    While hospitals have been aware of the problem for a number of years, it is said to be becoming an increasingly common issue.
    In 2009, 23 Chinese women are said to have struggled to return to China from South Korea after undergoing surgery.
    Some hospitals in South Korea are now offering 'plastic surgery certificates' to smooth patients' paths through passport control when they no longer look like their passport photos
    Some hospitals in South Korea are now offering 'plastic surgery certificates' to smooth patients' paths through passport control when they no longer look like their passport photos
    Women who've had plastic surgery in South Korea often end up with larger eyes, higher noses and thinner chins
    Women who've had plastic surgery in South Korea often end up with larger eyes, higher noses and thinner chins

    The women were stopped at passport control because they were noted to have bigger eyes, higher noses and slimmer chins than were shown on their passports, China Daily reported.
    After careful checks had been carried out, the women were allowed into China but they were all advised to renew their passports immediately.
    'After they took off their huge hats and big sunglasses following our request, we saw them looking different, with bandages and stitches here and there,' Shanghai Hongqiao Airport officer Chen Tao told China Daily.
    'We had to compare their uncorrected parts with their photos very carefully,' he added.
    Some women are having to renew their passports after surgery so as to have a new photo included
    Some women are having to renew their passports after surgery so as to have a new photo included
    South Korea is rapidly becoming the home of plastic surgery and people there have the most cosmetic procedures per head of population, according to global figures released last year by the International Society of Aesthetic Plastic Surgeons. 
    Indeed, one in every 77 people in South Korea now goes under the knife or needle in a bid to improve their looks.
    Shockingly, some 20 per cent of women aged 19 to 49 in Seoul admit to going under the knife and one of the most popular procedures involves reducing excess skin in the upper eyelid to make the eyes appear bigger and more 'Western'.
    It is believed that the rise of the country's music industry is behind the boom, and many patients visit clinics with photos of celebrities, asking surgeons to emulate American noses or eyes.